Audio Visual archives operate within a framework of contractual and copyright laws.
We are in the midst of an intellectual property gold rush. Thousands of fortune-seekers are trying to stake their claims to promising territory, existing claims-holders are seeking increasingly aggressive means of defending their claims, and the original owners are often being ignored. Scholars and enthusiasts whose work uses intellectual property, and archives and libraries that store it, are largely bystanders in this goldrush; but they are profoundly affected by it. In this paper the author is going to discuss the notion that audiovisual archives operate within a framework of contractual and copyright laws. DEFINITION OF TERMS The web definition of the word copyright is the exclusive and assignable legal right, given to the originator for a fixed number of years, to print, publish, perform,film or record literary, artistic, or musical material. Audiovisual archives according to Mutangira V (2011:4) refers to either the institution that keeps archives in audiovisual media, o